Showing posts with label Romance. Show all posts
Showing posts with label Romance. Show all posts

Sunday, July 30, 2017

RWA 2017

I attended the Romance Writers of America (RWA) National Convention in Orlando Florida along with Jenna Jaxon, Kristine Overbrook, Carolyn Spear, Allie Marie, plus as-yet-unpublished author-friends from the Chesapeake Romance Writers. I learned so much, my head is still spinning, plus I enjoyed the chance to network with so many talented and creative people.

Other highlights were:

  • Keynote addresses from bestselling authors Sherrilyn Kenyon and Susan Wiggs, who gave us free copies of their books
  • Pitch sessions with an editor and an agent.
  • Winning breakfast with bestselling author Angi Morgan, who helped me tweak my pitches  and gave me some great advice for the "cute meet" in my story, which needs slight revision.
  • Winning a seat at the Pan & Pro lunch with Pintip Dunn, a bestselling YA author.
  • Finding authors willing to help me with Scrivener.
  • Getting ideas from a variety of workshops. I especially liked those by Damon Suede. He's brilliant even if he talks a million miles a minute.
  • Getting a professional author portrait done.
  • Handouts with writing tips and recommendations in case I need more.
  • Amazing food. Disney hires great chefs. Enough said.
I learned I have been writing my novels in a length more suited to digital publishing or self publishing. I need to double them in word-count if I want most agents or traditional publishers to take them seriously. Sigh. Still, the agent said she would read a submission of my novels if I lengthened them considerably. The editor was more promising. She wants a partial submission of Dancing Under the Stars if I revise it to suit the line she acquires. I plan to read a couple of titles from this publisher before I start revising.

If this all sounds like a lot of work, it is. But I left the conference more motivated than ever and with lots of great memories. I've also decided to make writing a daily goal in the morning for at least an hour, no matter how hectic the rest of my day. And if you are a writer, especially of Romance, RWA is a great organization to be a part of.

Breakfast with Angi Morgan

Sunday, July 31, 2016

A Romance Writer in Greece


Travelers enjoy the view on the Greek island of Hydra

I recently returned from a tour of Greece and several Greek islands. The region would be a wonderful setting for a romance novel. I'm not sure if the heroine meets a working-class guy or someone wealthier. While so far I have written more down-to-earth heroes, the yachts and fancy speed-boats I saw in some harbors bespoke of unimaginable wealth. It might be fun to visit a mansion on a remote, Greek island.

Greek harbor at Mykonos with its luxury yachts

My overall impression of the Greeks is they are very warm and friendly people who welcome tourism and tourist dollars. They are proud of their country and heritage and happy to show it off. I met a woman named Ioanna. She grew up the daughter of a shepherd in a little Greek village. The family was not a poor one, since, unlike some of the neighbors, they always had food to eat. Nevertheless, her father did not even own a pair of shoes until he was eleven or twelve years old. He was a bit of a philosopher and loved to talk. A simple statement like, "There's cinnamon on my coffee," could set him off on a thirty-minute philosophical treatise.

Due to the Greek austerity measures imposed by the European Union, the Greek response is they are already hurting. For example, the price of bread has skyrocketed due to inflation. But the Greek attitude is of people who have survived worse. A search of the various occupations by foreigners in Greek history, including, but not limited to, Nazis during World War II and a 400-year occupation under the Ottoman Turks. Ioanna says the Greeks have gotten used to a rare period of increased prosperity in recent years, but the deep-down attitude to the austerity measures is, "What are they gonna do, take away our shoes?"

Life will go on. As someone who recently finished Robert Reich's best-selling economics book, Saving Capitalism, I suspect I was more worked-up about the forces behind the austerity measures than Ioanna.

I like the Greeks' laid-back attitude regarding time, now that I'm used to it, even though Ioanna says it makes important projects hard to finish, evidenced by a host of half-finished and abandoned buildings found in various parts of the landscape. If you buy so much as a cup of coffee or bottle of water at a Greek restaurant, you can stay there indefinitely. It's considered rude to bring you the bill before you ask for it. In Greece there is rarely any rush. Afternoons were sleepy, and meals and nights ran late. Naps at times were almost required.

Greek cafe on the lovely island of Samos, birthplace of Pythagoras


Another Greek expression I liked is, "New Day, New Rule." Traffic rules, for example, including traffic lights, stop-signs, and even sidewalks are only suggestions. It's important to take care when crossing the street. Drivers won't deliberately kill you, but it's important to make sure they see you and to watch for traffic at all times. Two-way traffic on ancient, narrow roads that would only be one-way at home are something I got used to. I don't have the requisite nerves of steel to actually drive there, however.

Physically the landscape, at least in summer, is more desert than I expected, mostly rocky, barren, hot and windswept. The sky and sea are unbelievably blue with the ocean a variety of shades, depending on location, depth, minerals in the water, and weather. Sunsets are often gorgeous, reminding me of Greek myths where Apollo's chariot, the sun, sets in the western ocean.

Windswept Greek countryside from Mycenae; note the tourists in foreground to give the view scale.


Greek sunset from the rails of a cruise ship

Beautiful colors of the waters off of Crete with deeper water dark blue in the background

I am a Classicist. One surprising aspect of my Greek vacation was how much more comfortably I embraced modern Greek, both its written and spoken forms, than other members of our non-Greek-speaking tour group. All I've ever heard from my professors is how different ancient and modern Greek are, especially in pronunciation. And my ancient Greek, acquired through the passive process of reading ancient texts by authors such as Homer, Herodotus, Thucydides, and the Greek playwrights, is extremely rusty. Nevertheless, I found the Greek alphabet totally familiar (if "mispronounced") and could not only pick out words and phrases on signs but even words in conversation. The vowels, especially, have changes so much, it must be very challenging for Greek children to learn how to spell it. I feel much less intimidated now and plan to acquire more Greek before my next trip.

I found a delightful book, An Octopus in My Ouzo, to read on my way home. The author, Jennifer Barclay, also writes a blog by the same name. I'm too tied up with friends, job, and family here in the U.S. to run away to a Greek Island, but I enjoyed escaping (through the author's eyes) to the remote island of Tilos. The book's not a romance, unless Greece, itself, is the object of romance, but the setting, food, relationships and lifestyle made the book a great read. Opa!

Monday, February 16, 2015

Chesapeake Romance Writers 2/14/15

Saturday I attended the monthly meeting of Chesapeake Romance Writers. It was Valentine's Day. We even had a freelance reporter writing an article for the Virginian Pilot, a regional paper, about our group.

We were excited to get the publicity, especially since we will be hosting a writers' workshop, "Pages to Publication," in Williamsburg, VA, on March 14.

Our group has several published and self-published authors. Our most recent celebrations are a newly published novel by Mairi Norris and a reissue of a cute paranormal romance by Kristine Overbrook. I've read both these books and enjoyed them. (There are several more published authors, so I apologize if I missed anybody and will try to work more names and publications into future posts).

If you think our meeting was strictly a social event or all about love and romance, think again. Writing is a business. The focus of our meeting was on how to get the most out of writers' conferences, including the one coming up in Williamsburg. There were even ideas for authors who plan to attend the national RWA conference that will be held in New York City this year. Our most experienced authors said that the New York conference is the most expensive, but well worth it, because so many agents and editors are based in New York. We were told to study the editors and agents who will be present at a conference, decide which ones we most want to pitch to, and write up a cheat sheet on each one of these before we go. We should be prepared to pitch to them not only at formal events but at a chance meeting in a bar or restaurant, for example. The trick is to take advantage of opportunities like this without being rude or pushy.

Authors practiced writing "elevator pitches." These are one-sentence descriptions of our books that not only concisely summarize our novel but leave the potential editor or agent with questions--so they want to know more. Hopefully they will ask for a submission. Elevator pitches are used at those chance encounters described above.

With some help from a fellow author, I came up with a decent elevator pitch for the novel I'm working on. The group liked it. Other authors worked on the material that they would put on the back of the book or inside the jacket.

We also got some ideas of what to say during three-minute, formal pitches. The general advice was to introduce yourself and the genre of your book, its length in pages and number of words, whether it is complete-- preferably it is, even if it is still in the revision stage-- and a little bit about it. Editors will usually start asking questions that allow the writer to fill out the remaining time. Most are very nice people. Knowing something about the editor and the editor's interests is helpful in establishing a rapport with him or her.

I decided my novel, at 48,000 words, is not far along enough to justify the expense of a trip to New York City. Hopefully by this time next year I will be able to report that it is ready to submit to editors, agents, competitions, critiques, pitches at conferences, or other events. The RWA conference is held in NYC once every four years, so I'm a little sad to be missing this opportunity.

Which reminds me--it's time to work on my book!